Film and Theatre Critic; PhD in Art Studies; Full Professor at SHOTA RUSTAVELI THEATRE AND FILM GEORGIA STATE UNIVERSITY; Head of Department of Film Critisizm and Theory; Head of Dissertation Board; Culture Analyst; Editor; Member of A.I.C.T. (Internationale Association of Theatre Critics); Recommendation Council group member of Tbilisi International Festival of Theatre; Member of Film Academy and Theatrical Society of Georgia.
Co-author of several scientific collections and the author of tens of scientific articles and publications. Editor and reviewer of tens of books, text-books, journals, scientific collections and publications. Participant of tens of conferences, Symposiums, Projects.
Author of the texts for the books: Gogi Ochiauri; LOUIS – Decoupage, Otar Ioseliani; The Sculpture and Art of Gogi Ochiauri (Nova Sciaence Publishers, Inc. New York);
Contemporary Georgian Movie, (Publishing Program of Ministery of Education, Scaience, Culture and Sport of Georgia); Trends of Modern Georgian Cinema - Heroes, Themes, Problems, Stylistic Features (Publishing House Kentavri of Shota Rustaveli Theatre and Film Georgia State University).
Proejct manager, editor in chief and coauthor of book - Georian Cinema – 30 Yaears of Independence. (Publishing House Kentavri).
Authored recent publications: A Ruby Day Is Over; Corn Island; New Chronicles of Tbilisi of the 90s and About Choice; Culturefilm Buba – Reflection of the Soviet Times; Cofession of Artist or His Fate in the Surrounding of Myths; Apocalypse of the XXI Century – There is a Bound - Mortals are not Allowed to Break; Politics and its Influence on Film Production and Artistic Processes; Georgian Cinema before and after Independence; Back to Classics and the History of Georgia; Do you Know What does Paternal House Mean?; There was a Time for Blood and for Building in our History; Throw down Colored Papers from the Theatres; Kote Marjanishvili - Great Reformer of the Theater – Cinema Pioneer,Historical Truth and Personal Choice; All Our Paradises; Zone of Conflict; From Social Realism to Postmodernism; Place for Time and Epoch in Creation of Art Work; Evolution of Myths from Ancient Times to Contemporary Georgia; Seeking for Poetic Sources in Georgian Culture; I will Answer Tomorrow and etc.
Publications in international editions: SESSO DEBOLE, FILM FORTI; Azerbaijanian Theatre in Tbilisi – History, Present, Perspectives and Future; The Point Where the Two Worlds Come Across; Georgia’s European Ways, Political and Cultural Perspectives – Article – At the Crossroads - Supported by the Office of the State Minister of Georgia of Euro-Atlantic Integration;From Georgia to Cinema with Love; Three Women under One Sky. The Power of Georgian Women Filmmakers. Frinted and published in the Refublic of Korea; Georgian Cinema before and after Independence; Keti Machavariani: Salt White; Aleko Tsabadze: Rene Goes to Hollywood, kinokultura.com/specials/; Locarno 66 // Open Doors A Portrait of Georgian Cinema from “Perestroika” to the Contemporary Scene; In Georgia Finally at Home 80 Years Later; A Ruby Day Is Over; Corn Island; New Chronicles of Tbilisi of the 90s and About Choice- FilmPrint, Best.